Nottingham

 

Matthew Bourne’s Nutcracker!

 

Theatre Royal, Nottingham

 

April 12-16 (Nottingham); April 19-23 (Woking)

 

5*****

 

Review: William Ruff

@ReviewsGate

 

Matthew Bourne’s Technicolor extravaganza leaves a lump in the throat as well as a huge smile on the lips

 

If it were any other show than Matthew Bourne’s Nutcracker!, you’d probably be offered psychiatric help (or even locked up) if you expressed a strong urge to lick, nibble and chew members of the cast.  But in Sweetieland the temptation is just too great.  The Liquorice All Sorts are just too plump, the marshmallows too enticingly fluffy, the gobstoppers too dangerously big and shiny, the knickerbocker glory too gorgeously gooey.  And they are definitely worth all the calories.

 

Nutcracker! Is nearly thirty years old, but it had lost none of its freshness and none of its ability to delight audiences.  The current version has been touring since before Christmas but it hasn’t lost the spring in its step.  As soon as the orphans line up in the show’s opening minutes you know that everything is going to be as crisp and sharply focused as on the opening night.  Even before they dance a step the young company impress as actors, all vividly characterised, all brimming with pent-up energy.

 

This version of Tchaikovsky’s classic is famed for the bright colours of its second Act, but it begins much more darkly, in a grey orphanage presided over by the sinister Dr Gross (Reece Causton) and his wife (Stephanie Billers), whose strutting and sharp elbows put one in mind of children’s home horror stories.  However, things are never allowed to get too serious, the children fighting back against oppression with plenty of wit and physical energy.  The nutcracker Clara (Cordelia Braithwaite) chooses as her Christmas present is more like a ventriloquist’s dummy.  When by magic it becomes flesh and blood, the effect is breath-taking, especially when played by Harrison Dowzell, a local lad from Radcliffe on Trent, whose physique suggests some serious gym work-outs.

 

Despite all the sweetness the show has things to say about love, desire and the frustrations of being young.  Through the power of Clara’s imagination characters from her gloomy reality are transformed in the show’s second half into sweets.  Tchaikovsky’s famous sequence of national dances are transformed into numbers for Allsorts, gobstoppers, marshmallows, walnut whips etc – all against the background of a giant, red lip-sticked mouth.  There is also the biggest wedding cake ever seen on a stage, big enough for all the company to ride on as if it was some sort of ocean-going vessel.  Ben Brown excelled himself as the Knickerbocker Glory, resplendent in smoking jacket and topped by a cherry on a bed of whipped cream.

 

Matthew Bourne’s style of choreography isn’t exactly classical ballet.  It’s whatever suits character and situation.  Some of it is traditional, but more of it isn’t.  Whatever the style, it all melds into a seamless whole, always enabling vivid story-telling.  Everyone in the Company has the ability to defy gravity, whether as downtrodden orphans, ice skaters or sweets.  And in Matthew Bourne’s shows everyone has to be multi-talented.  The cast list shows frequent changing of roles between performances – which means for many in the Company not only different dance steps but lots of acting range as well.  Each performance is sharply etched and finely detailed.

 

The only disappointing thing about Nutcracker! is that it has to come to an end.  It received huge cheers from the audience, amongst which must have been some very lucky children for whom this was their first experience of live theatre.  At the end of the show Clara’s dream comes true and she escapes into a better world.  Yes, it’s one of those shows: it leaves a lump in the throat as well as a huge smile on the lips.

 

 

 

Nutcracker!

(Pyotr Ilyich Tchaikovsky)

 

Theatre Royal, Nottingham                                       April 12-16 2022

New Victoria Theatre, Woking                                  April 19-23 2022

 

DANCERS

 

Cordelia Braithwaite                                                   Clara

Ashley Shaw and Monique Jonas                               Princess Sugar.

Harrison Dowzell                                                        Nutcracker

Dominic North                                                             Fritz

Ashley Shaw                                                                Sugar

Reece Causton                                                            Dr Dross

Stephanie Billers                                                         Mrs Dross

 

The Company, Sweeties etc:

 

Jonathon Luke Baker

Benjamin Barlow Bazeley

Alistair Beattie

Isaac Peter Bowry

Kayla Collymore

Jade Copas

Jessica Crompton

Gabrielle de Souza

Megan Ferguson

Keenan Fletcher

Cameron Flynn

Rose Goddard

Shoko Ito

Kurumi Kamayachi

Kate Lyons

Rory Macleod.

Enrique Ngbokota

Harry Ondrak-Wright

Catrin Thomas

Bryony Wood

 

CREATIVES

 

Sir Matthew Bourne                                                   Director/Choreographer

Anthony Ward                                                            Designer

Howard Harrison                                                        Lighting Designer

Paul Groothius                                                            Sound Designer

Duncan McLean                                                          Projection Designer

Rowland Lee                                                               Musical Associate/Arranger

Martin Duncan                                                            Co-Devisor, original production

Brett Morris                                                                Music Director

Etta Murfitt                                                                 Associate Director