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Reviews
Lies Where It Falls by Ruairi Conaghan. The Finborough theatre, 118 Finborough Road, London until 21 December 2024, 4☆☆☆☆. Review: William Russell.
“A well told tale.”
Photo Credit: Carla Joy Evans.
Hungarian Radio Symphony Orchestra, Symphony Hall, Birmingham, Saturday 30 November 2024, 4☆☆☆☆. Review: David Gray & Paul Gray.
“A Hungarian Orchestra delivers some characterful playing, while a home-grown virtuoso dazzles with Chopin.”
The Crumple Zone by Buddy Thomas. Waterloo East Theatre, until 22 December 2024, 4☆☆☆☆. Review: William Russell.
“A Christmas cocktail.”
Photo Credit: Peter Davies.
Small Things Like These (2024), Dir Tim Mielants, Lionsgate, mac Birmingham, 5✩✩✩✩✩. Review: Matthew Alicoon.
“A masterclass in the art of understatement.”
Sir Stephen Hough. Lakeside, Nottingham. 28 November 2024, 5✩✩✩✩✩. Review: William Ruff.
“A master pianist presents an exhilarating programme.”
Photo Credit: Sim Canetty-Clarke.
Jack and the Beanstalk – What a Whopper! Book by Jon Bradfield & Martin Hooper, music by Jon Bradfield.Charing Cross theatre, London until 11 January 2025, 2☆☆. Review: William Russell.
“For so-called adults only.”
Photo Credit: Steve Gregson.
A Christmas Carol. Northern Ballet. Theatre Royal, Nottingham. 26-30 November 2024 and Leeds Grand Theatre 17 December 2024 – 04 January 2025, 5✩✩✩✩✩. Review: William Ruff.
“A production bursting with feel-good factor.”
Photo credit: Colleen Mair.
Pan, 27th November 2024. Rayne Theatre at Chickenshed, 290 Chase Side, London, until 11th January 2025, 4☆☆☆☆. Review: Mary-Ellen Dyson.
“Approach it with a child-like heart.”
Photo Credit: Chickenshed
Sibelius, Rautavaara and Adès. The Hallé. Royal Concert Hall, Nottingham. 26 November 2024, 5✩✩✩✩✩. Review: William Ruff.
“An artistically unified, unusually satisfying programme.”
Photo credit: Emma Wernig.
Napoleon – Un Petit Pantomime by John Savournin & David Eaton. Jermyn Street Theatre, 16b Jermyn Street, London until 5 January 2025 5☆☆☆☆☆. Review:William Russell.
“A cracker of a panto.”
Photo Credit: Alex Brenner.
The Happiest Man on Earth by Mark St Germain. Southwark Playhouse, the Little, 77 Newington Causeway, London SE1 to 14 December 2024, 4☆☆☆☆. Review: William Russell.
Photo Credit: Daniel Radar.
“Inspiring and perfectly told.”
The Magic Flute (Opera North). Theatre Royal, Nottingham. 22 November 2024, 5✩✩✩✩✩. Review: William Ruff.
“Mozart’s Flute is truly magical in Opera North’s revelatory production.”
Photo credit: Tristram Kenton.
King James by Rajiv Joseph. Hampstead Theatre Downstairs, Eton Avenue, Swiss Cottage, London until 4 January 2025, 4☆☆☆☆. Review: William Russell.
“Laugh a lot, cry a little.”
Photo Credit: Mark Douet.
A Midsummer Night’s Dream (Opera North). Theatre Royal, Nottingham. 20 November 2024, 5✩✩✩✩✩. Review: William Ruff.
“Opera North casts a potent spell”
Photo credit” Richard H. Smith
A Christmas Carol adapted by Mark Gatiss, Birmingham Repertory Theatre, 6 Centenary Square, B1 2EP, 4☆☆☆☆. Review: Joanna Jarvis.
“A delightfully ghostly spin on a classic tale.”
Photo Credit: Ellie Kurtz.
Filumena by Eduardo de Filippo. English version by Keith Waterhouse & Willis Hall. Richmond Theatre, until 23 November 2024 and touring, 3☆☆☆. Review: William Russell.
“Efficiently performed and handsomely stage… but plodded along.”
Photo Credit: Jack Merriman.
The Music Makers, CBSO & CBSO Choruses, Symphony Hall, Birmingham, 20 November 2024, 4☆☆☆☆. Review: David Gray & Paul Gray.
“Some lovely music for young people, and still great fun for the rest of us!”