Email: ReviewsgateReviews@gmail.com
Reviews
Bitter Lemons by Lucy Hayes. Park 90, Park Theatre, 13 Clifton Terrace, Finsbury Park, London until 12 September 2024, 4✩✩✩✩. Review: William Russell.
“Challenging play brilliantly performed.”
Photo Credit: Alex Brenner.
My Life as a Cowboy by Hugo Timbrell. Omnibus Theatre, 1 Clapham Common North Side, London until 08 September 2024, 3✩✩✩. Review: William Russell.
“Charming and touching.”
Photo Credit: Henri T.
A Night with Janis Joplin by Randy Johnson. The Peacock Theatre, Portugal Street, London until 28 September 2024, 3✩✩✩. Review: William Russell.
“Unforgettable to say the least.”
Photo Credit: Danny Kaan.
The Little Death by Mina Orak & Justin Atkins. King's Head Theatre, 115 Upper Street, London until 31 August 2025, 3✩✩✩. Review: William Russell.
“An evening like no other.”
Photo credit: Justin Atkins & Steven Restagno.
Southwell Music Festival 2024. Southwell Minster and other venues, 23 – 26 August 2024, 5✩✩✩✩✩. Review: William Ruff
“The Southwell Music Festival: a distinctive and rewarding experience.”
Photo Credit: Joe Briggs-Price.
Absurd Person Singular by Alan Ayckbourn, Manor Pavilion Theatre Sidmouth until 31 August 2024, 4✩✩✩✩. Review: Cormac Richards
"A reminder of just what a clever dramatist Ayckbourn is."
Photo Credit: Andrew Beckett
The Incredibly Scary Object by Joe Edgar. The Brockley Jack Studio Theatre, 408 Brockley Road, London until 31 August 2024, 3✩✩✩. Review: William Russell.
"Entertaining sci-fi story."
Photo Credit: Sosij Production.
Looking Good Dead by Peter James, Manor Pavilion Theatre Sidmouth until 24 August 2024, 3✩✩✩. Review: Cormac Richards.
"shocks, twists and turns a plenty"
Photo Credit: Jason Marc-Williams.
The Fabulist. Music by Giovanni Paisiello. Book & Lyrics by James P. Farwell. Charing Cross Theatre, Villiers Street, London until 21 September 2024 , 2✩✩. Review: William Russell.
"Ab-Fab this is not."
Photo Credit: Mark Senior.
Titanic The Inquiry by Chris Burgess & John Plews. Upstairs at the Gatehouse, Highgate Village, London until 18 August 2024, 4✩✩✩✩. Review: William Russell.
“A night to remember.”
Photo Credit: Ovation.
Pericles: William Shakespeare, RSC @ The Swan, Stratford Upon Avon. Runs until 21 September 2024, 4✩✩✩✩. Review: Roderick Dungate.
“An episodic fantasy with a satisfying sense of unity.”
Photo Credit: Johan Persson
I Ran With The Gang by Liam Rudden. The Stage Door Theatre, 150 Drury Lane, London until 17 August 2024, 1✩. Review William Russell.
“A fan-tastic fairy tale from start to finish.”
Photo Credit: Stageworks East West Ltd.
Abigail’s Party by Mike Leigh, Manor Pavilion Theatre, Sidmouth to 17 August 2024, 5✩✩✩✩✩. Review: Cormac Richards.
"A fantastic piece of theatre."
Photo Credit: Andrew Beckett.
Bedroom Farce by Alan Ayckbourn. The Mill at Sonning, Reading until 21 September 2024, 4✩✩✩✩. Review: William Russell.
"Fifty years on and going strong."
Photo Credit: Andreas Lambis.
As You Like It by William Shakespeare, RSC at Holloway Garden Theatre until 01 September 2024, 5✩✩✩✩✩. Review: Roderick Dungate.
“A Sparkling Change.”
Photo Credit: Marc Brenner.
Slices of Life, The Stage Door Theatre, 150 Drury Lane, London, until 10 August 2024, 4✩✩✩✩. Review: William Russell.
“First rate double bill.”
Were You Anyone Before Dad’s Army? by Nicolas Ridley, Quay Arts, Newport, Isle of Wight, 4 August 2024, 4✩✩✩✩. Review: Cormac Richards.
“A joyous production.”
Photo Credit: Andy Newbold.
Oliver. Book, Music & Lyrics by Lionel Bart. Chichester Festival Theatre until 25 August 2024. Transfers to the Gielgud Theatre, London in December 3✩✩✩. Review: William Russell.
“Bart's best show revived.”
Photo Credit: Marc Brenner.
The Box by Brian Coyle.The White Bear Theatre, 138 Kennington Park Road, London, until 03 August 2024, 3✩✩✩. Review: William Russell.
“Tense, well performed drama.”
Photo Credit: Alex Walton.
A Chorus Line. Music by Marvin Hamlisch. Lyrics by Edward Kleban, Sadler's Wells Theatre, Roseberry Avenue, London until 25 August 2024, 4✩✩✩✩. Review: William Russell.
“Good if not a singular sensation.”
Photo Credit: Mark Brenner.