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Reviews
Distant Memories of the Near Future by David Head. The Arcola studio, 24 Ashwin Street, London until 30 November 2024, 4☆☆☆☆. Review: William Russell.
“The shape of things to come.”
Photo Credit: Andreea Stanciu.
1984 by George Orwell adapted by Ian Craig. Richmond Theatre,The Green, Richmond, Surrey until 17November, 4☆☆☆☆. Review: William Russell.
“Orwell's future still chills the blood.”
Photo Credit: Simon Annand.
Autism Mama. Soho Theatre Upstairs, 21 Dean Street, London until 16 November 2024, 5☆☆☆☆☆. Review: William Russell.
“Heart warming and hilarious.”
Photo Credit: Jiksaw.
Sweetmeat by Ivo de Jager. The Old Red Lion Theatre, 418 St John Street, London until 23 November 2024, 4☆☆☆☆. Review: William Russell.
“Strong meat indeed.”
Photo Credit: Ivo de Jago.
Rigoletto by Giuseppe Verdi English National Opera, The Coliseum, London, 4☆☆☆☆. Review: Clare Colvin.
“Jonathan Miller’s 1950’s Little Italy New York setting still works a treat.”
The Pirates of Penzance. Book and Lyrics by W.S. Gilbert. Music by Arthur Sullivan. Wilton's Music Hall, London until 23 Nov & Theatre Royal Bath 2 - 7 Dec, 5☆☆☆☆☆. Review: William Russell.
“Scintillating production.”
Photo credit: Mark Senior.
The Buddha of Suburbia adapted for the stage by Emma Rice and Hanif Kureishi. The Barbican Theatre, London until 16 November 2024, 5☆☆☆☆☆. Review: William Russell.
“Catch it if you can.”
Photo Credit: Steve Tanner.
The Ungodly by Joanna Carrick. Southwark Playhouse, the Little. 77 Newington Causeway, London until 16 November 2024, 3☆☆☆. Review: William Russell.
“Powerful but overacted.”
Photo Credit: Bill Jackson.
Reykjavik by Richard Bean. Hampstead Theatre, Eton Avenue, Swiss Cottage, London until 23 November 2024, 4☆☆☆☆. Review: William Russell.
“Powerful and finely played.”
Photo Credit: Mark Douet.
Fly More Than You Fall. Book & Lyrics Eric Holmes. Music & Lyrics Nat Zegree. Southwark Playhouse 1 Dante Place, London until 23 November, 2024. 4☆☆☆☆. Review: William Russell.
“A musical with wings.”
Photo Credit: Craig Fuller.
Amaze. The Criterion Theatre, Piccadilly Circus, London until 21 November 2024. 3 ☆☆☆. Review: William Russell.
“Amazing but not spell binding.”
Photo Credit: Danny Kaan.
The Story of My Life by Neil Bartram & Brian Hill. The Stage Door Theatre, Drury Lane, London until 19 October 2024, 5☆☆☆☆☆. Review: William Russell.
“Practically perfect.”
Photo Credit: Peter H. Davies.
Tachwedd by Jon Bailey. Theatre 503, The Latchmere, 503 Battersea Park Road, London until 02 November 2024, 4☆☆☆☆. Review: William Russell.
“Complex and stunning drama.”
Photo Credit: Woodforge Studios.
The Turn of the Screw by Benjamin Britten, English National Opera; The Coliseum, London WC2, 4☆☆☆☆. Review: Clare Colvin.
“Was the Governess to be trusted as ghost hunter?”
Photo Credit: Manuel Harlan.
Tattooer by Takuya Kaneshima. Based on the short story by Junichiro Tanizaki. Charing Cross Theatre, Villiers Street, London until 26 October, 2024,1✩. Review: William Russell.
“Azuma paints the town.”
Photo Credit: Mark Senior.
Land of the Free by Simple8, Southwark Playhouse, the Large, 77 Newington Causeway, London until 2 November 2024, 2✩✩. Review: William Russell.
“A sub Littlewood romp.”
Photo Credit: KatieC Photography.
King Troll (The Fawn) by Sonali Bhattacharyya. The New Diorama Theatre, 16 Triton Street, London until 02 November 2025, 3✩✩✩. Review: William Russell.
“Powerful stuff.”
Photo Credit: Helen Murray.
Kurt Vonnegut's Slaughterhouse Five adapted by Eric Simson. The Brockley Jack Sudio Theatre, Brockley Road, London until 19 October 2024, 5✩✩✩✩✩. Review: William Russell.
“A mountain climbed.”
Photo credit: Davor@ The Ocular Creative.
Gay Pride and No Prejudice by David Kerby-Kendall. The Union Theatre, 229 Union Street, London until 02 November 2024, 2✩✩. Review: William Russell.
“Missed opportunities galore.”
Photo credit: Lucy Nixon.
Flock by Lin Coghlan. Soho Theatre, Dean Street, London until 02 Nov, 2024, 4✩✩✩✩. Review: William Russell.
“Not to be missed.”
Photo Credit: Lucy Hayes.